With sleeper hit Godzilla Minus One still wowing box office audiences, it’s been a great period for limited release and special titles. Even in wide-release markets! It’s always good to see the non-tentpole segment of the market have its day in the sun, so Blake & Wang P.A. entertainment lawyer in the USA, Brandon Blake, is here to share more good news.
Godzilla Stomps to Victory
To date, Godzilla Minus One has a global cume of almost $51M, having added another juicy $853k to the kitty this past weekend. This also earns it the crown as the highest-grossing Japanese language release in the domestic market. That’s across animation and live-action, note! It also slips into a very respectable 5th spot on the list of best-performing non-English titles overall. It’s anticipated that it will reach the $100M mark globally before the end of its run. For a picture no one took seriously until its massive impact on the December box office, that’s fantastic.
The Oscars Rear Their Head
Alongside the iconic Japanese lizard, this was a week where we saw several pictures expand their theatrical footprint. Courting Oscar attention through the awards season, we assume. A24’s Zone of Interest continues to perform strongly, with a $300k taking pushing its cume to date over $1M. While its run will stay limited, it has branched out from 4 screens to 25, and we may see more added. Surprisingly for some rather heavy subject matter, this film has been performing fantastically among the under-35 market.
The Iron Claw pulled in another couple of million over 1,592 screens. While its global cume of $30M may not be the largest we’ve seen, keep in mind the movie was made for under $20M. This is the sixth-largest domestic gross for A24, and it is performing fantastically on CinemaScore among viewers, too. American Fiction, Poor Things, and All of Us Strangers also managed thoroughly respectable weekends for a specialty box office that’s looking stronger than ever. Let’s hope to see that impetus continue throughout the year.
Film and Television 